REVIEW: Blade Runner 2049

Image: Warner Bros.

Chris Luckett

I don’t tend to get excited for movies. (You see enough Transformers or Madea vehicles and it’s easier to just let yourself be pleasantly surprised by the gems.) And, sacrilegious as it is to say, I’ve always felt Blade Runner was an overrated movie. Incredibly innovative and paradigm-shifting to sci-fi, don’t get me wrong; but not a perfect film from a narrative point of view.

Yet Blade Runner 2049 has been my most anticipated movie in the back half of 2017. Part of it was the brilliance of the first trailer, part of it was seeing the world Philip K. Dick and Ridley Scott envisioned with modern CGI, but the crux of it was director Denis Villeneuve.

Villeneuve has made three movies. He debuted in 2013 with the fantastic Prisoners, followed it up with the even more intense Sicario, and topped it all off with last year’s Best Picture-nominated Arrival. All three masterpieces, and each better than the one prior. It set the expectations for his fourth, Blade Runner 2049, so high for me the movie couldn’t meet them. But it comes close.

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