REVIEW: Guardians of the Galaxy, Vol. 2

Image: Walt Disney Studios Motion Pictures

Chris Luckett

“There’s figures on this. Seventy percent of what people react to is how you look, twenty percent is about how you sound, and only ten percent is actually what you say. So, if you look good and sound good [but talk nonsense], everyone’ll go wild!” –Eddie Izzard

Even those who were left unimpressed by 2014’s crowd-pleaser Guardians of the Galaxy were in unanimous agreement about how fantastic its soundtrack was. Employing a vintage Sony Walkman and a cassette mixtape to accompany the humourous action of the movie, its soundtrack topped the Billboard chart for 11 weeks, was the best-selling soundtrack of the year after Frozen‘s, and introduced a new generation to the hits of the Raspberries, Norman Greenbaum, 10cc, The Jackson 5, and Blue Swede.

The fact it was such a fun movie and a solid sci-fi actioner/superhero flick was better, but even if it had been just okay, the music (and the dazzling CGI) would have been enough to mostly make up it. The traction-less Guardians of the Galaxy, Vol. 2 is proof of that.

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REVIEW: Passengers

Image: Sony Pictures Releasing

Image: Sony Pictures Releasing

Chris Luckett

(I very seldom delve into spoilers in my reviews, but in this case, Passengers can’t be coherently or adequately critiqued without discussing a major plot point half an hour into the movie. It’s my belief that knowledge of this turn may also directly affect your choice of whether or not to see Passengers. That said, if you prefer your sci-fi reviews spoiler-free, I’d check this out instead.) 

Everything about Passengers should work. It’s director Morten Tyldum’s follow-up to his Oscar-nominated The Imitation Game. It’s written by Prometheus screenwriter Jon Spaihts, hot on the heels of him having rewritten the script for Doctor Strange.

Most impressively, it stars possibly the two most charming actors working today, Chris Pratt and Jennifer Lawrence. Having respectively cut their sci-fi teeth already on Guardians of the Galaxy and the Hunger Games series, they seem like a dream screen match. The trailers sure make it look that way.

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REVIEW: The Magnificent Seven (2016)

Image: Columbia Pictures

Image: Columbia Pictures

Chris Luckett

In the underrated clone comedy Multiplicity, Michael Keaton asks at one point, “You know how when you make a copy of a copy, it’s not quite as sharp as, well, the original?” Such an observation pinpoints a large problem with Antoine Fuqua’s The Magnificent Seven, a remake of the popular 1960 Western that was itself an American-ized version of Akira Kurosawa’s seminal Seven Samurai.

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REVIEW: Jurassic World

Photo: Universal Pictures

Photo: Universal Pictures

Chris Luckett

There will never be a sequel to Jurassic Park that beats the original, or even comes close. Not only was it a crossroads of entertainment, art, and technological innovation that was very of its exact time, but the awe of witnessing dinosaurs brought to realistic life for the first time on screen can never truly be recaptured or recreated.

It’s for this reason that so many arguments between fans of the film series centre instead around which sequel is better. (For the record, count me in the Jurassic Park III camp.) Neither can compare to the original, so the only fair evaluation is between sequels. Coming over a dozen years after the last adventure of man vs. dinosaur and hubris, Jurassic World can now be tossed into that debate.

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REVIEW: Guardians of the Galaxy

Photo: Walt Disney Studios Motion Pictures

Photo: Walt Disney Studios Motion Pictures

Chris Luckett

One of the big differences between movies adapted from Marvel superheroes (Iron Man, Spider-Man, etc.) and movies adapted from DC superheroes (Batman, Superman, etc.) is that Marvel movies generally are more enjoyable. DC movies tend to be more dark and brooding, while Marvel’s entries seem to care most about just taking audiences on a fun ride. Of all the already entertaining Marvel movies, Guardians of the Galaxy may be the most playful and the most amusing.

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REVIEW: The LEGO Movie

Photo: Warner Bros.

Photo: Warner Bros.

Chris Luckett

Remember when you played with toys as a kid and one fantasy scenario would lead right into the next? Wolverine, Donatello, and Scrooge McDuck could race the Batmobile across the deck of the Titanic, before suddenly warping to the moon and playing a game of darts with Bart Simpson, and it all made a twisted kind of sense. It’s that childlike sense of genius randomness that makes The LEGO Movie the first great movie of 2014.

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REVIEW: Her

Photo: Warner Bros.

Photo: Warner Bros.

Chris Luckett

Sometimes, brilliant movies have concepts that sounds incredibly dumb when you first her them summed up in a single sentence. (Who honestly expected a movie about the creation of Facebook to be very interesting before they saw The Social Network, for example?) The new movie Her is, boiled down to a single sentence, about a man falling in love with his computer. Explored using the nuances and flavours afforded by a feature-length running time, though, Her is an absolutely magnificent movie.

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