The Coen Brothers are an odd breed. They’re brilliant filmmakers, as their combined 28 Oscar nominations stand as testament to. But like Quentin Tarantino and the Wachowskis, they can be their own worst enemies sometimes.
So long as they treat the script and characters as the most important pieces of the picture, they invariably spin gold. (See: Blood Simple, Fargo, The Big Lebowski.) Whenever their visual eye and compulsion for cinematic homage take precedence, though, their movies end up misfires at best and forgettable at worst. (See: The Hudsucker Proxy, The Man Who Wasn’t There, The Ladykillers.)
Hail, Caesar!, the brothers’ first mainstream movie since 2010’s True Grit and their first “goofy” comedy since 2008’s Burn After Reading, has all the pieces to have been one of their greats. Unfortunately, they’re lost in a sea of half-sketched scenarios and overlong set pieces. Continue reading