10 BEST, 0 CONTEXT: Stoner Movies

Image: New Line Cinema

Chris Luckett

Each Monday or Tuesday, I’ll have a bite-size “Best Of,” related to whatever’s coming out that week. But, unlike other in-depth rankings of mine, I’ll be giving no justification for the order, defence of controversial choices, or rambling description of each entry.

This list is as it is. The ten best, with zero context.

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GUEST COLUMN: A Look at Linklater (Part 1)

Photo: Gramercy Pictures

Photo: Gramercy Pictures

Chris Zois

When you think of the world of filmmakers, where does Richard Linklater rank? He is not in the pop culture echelon of Tarantino and Spielberg, nor is he an indie darling such as John Cassavetes or Steven Soderbergh. Rather, Linklater is a filmmaker all his own. The director’s relegated himself to making films in his home state of Texas and has, for the most part, stayed out of the confines of the Hollywood system.

That does not mean that he’s a forgettable filmmaker. In fact, he was one of the unsung and underrated filmmakers of the early 90s indie movement. When you ask a friend which Linklater film is their favourite, you may get a doe-eyed response of confusion. But that’s where the charm of his movies lies. Linklater has quietly made some of the most interesting and experimental films of the last 20 years, remaining unnoticed by the masses.

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