Image: Fox Searchlight Pictures
There are three cinematic masters in today’s reigning generation of directors, who each rarely ever fail to produce masterpiece after masterpiece. Along with Quentin Tarantino and Christopher Nolan, Wes Anderson is one of those elite few who seem to just churn out brilliance without having to even try.
When the idiosyncratic director of Rushmore tackled stop-motion animation with 2009’s Fantastic Mr. Fox, he found his truest calling. In the wake of his Oscar-nominated Moonrise Kingdom and The Grand Budapest Hotel, Anderson has now returned to the same arena of animation and it’s a masterpiece even when stacked against his best.
Rotten Tomatoes is a fickle creature. It’s easy to think that because the site aggregates all the major reviews for a film and give a percentage of good reviews, it’s an accurate read on a movie’s reception.
Here’s the thing, though: Since they only attach a “fresh” or “rotten” label to each review, scores can look inflated when people universally land somewhere near the middle.
If 100% of critics feel a movie’s just not quite good enough to recommend, it gets a 0% rating on Rotten Tomatoes. Conversely, all it takes is every critic saying “it’s not bad” or “it’s worth watching once” for a movie to look like cinematic perfection.
Hey, unrelated question: Did you see Lady Bird got 100% on Rotten Tomatoes?