REVIEW: The Shape of Water

Image: Fox Searchlight Pictures

Chris Luckett

“Adult fairy tale” is one of those suspicious terms often used to give more credit to a silly premise than it deserves — but every now and then, it’s actually used to defend a fantastical movie stuffy mainstream adults would likely dismiss otherwise, like 2006’s Pan’s Labyrinth.

That triple Oscar-winner was directed by jack-of-all-trades Guillermo del Toro. It was the most powerful filtering of del Toro’s visions of an already-storied career. After a Hellboy sequel, Pacific Rim, and Crimson Peak, del Toro has now returned to that unnerving space between genres, crafting another adult fairy tale that reaches out to childhood emotions within audiences while still incorporating severed fingers and a dead cat.

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