Chris Luckett
Any time a popular book series is adapted to film, changes are always necessary. Such changes, though, do invariably yield a different experience for the movies than their literary sources.
For Suzanne Collins’ Hunger Games trilogy, the single change that’s had the most effect on the movie franchise has been shifting the focus from the first-person point-of-view of the books — in the novels, the reader never sees anything Katniss Everdeen herself doesn’t — to the multiple perspectives that allow for cross-cutting to Seneca Crane’s control room or President Snow’s office or the barracks of District 13.
That alteration, however seemingly unimportant, has created a different animal than Collins depicted, for better and for worse. The stories have been more spectacular on screen, but never as intimate as the books, for that very reason. Continue reading