Photo: Press Association 2015
One of the greatest living film directors, Quentin Tarantino, was in Jerusalem to present a screening of Pulp Fiction and reflect on his career when he announced that he’s ending his directing career with a total of ten movies — leaving just two to go. Continue reading
Photo: Press Association 2014
“If you’re gonna compare a Hanzo sword, you compare it to every other sword ever made that wasn’t made by Hattori Hanzo.”
When Quentin Tarantino wrote the above line for Kill Bill (or what would eventually be bisected into Kill Bill, Vol. 2), it very eloquently summed up the problem with discussing Tarantino and his movies.
At that point in time, Tarantino had done what no writer-director had managed, be they Woody Allen, Wes Anderson, or Orson Welles: he’d made five perfect films in a row. Moreover, he’d only made five movies by that point, and they were all 5-star films.
Even today, after his streak has slipped and his career lacks the lustrous sheen it still had a decade ago, he’s one of the toughest directors to bring up in comparison to other directors (because he so boldly does his own thing every time, even when flopping), let along when discussing which Tarantino work is best.
When it comes to his worst, though, there’s a pretty unanimous consensus… Continue reading
Photo: The Weinstein Company
The ‘90s birthed the careers of a generation of immensely skilled directors. And for whatever reason, when it’s come time for them to make their eighth or ninth movies, each director has repackaged earlier movies of theirs into new originals. Moreover, each of these “victory lap” movies usually have been amazing works of art in their own right, despite covering established territory.
Take David Fincher’s The Social Network. Or Wes Anderson’s The Grand Budapest Hotel. Even Christopher Nolan’s The Dark Knight Rises was an incredibly strong film on Nolan’s CV, despite being his third Batman movie. The Hateful Eight is the ninth movie directed by Quentin Tarantino (or eighth, if you count the Kill Bills as one film, like Tarantino does) and it’s a wonderful mash-up of earlier works that holds its own against its brethren. Continue reading