CORE STORY: Sully scores 5th-biggest September opening ever

Image: Warner Bros.

Image: Warner Bros.

Chris Luckett

Despite having starred in such masterpieces as Cloud Atlas and Captain Phillips in recent years, it’s been seven years since a live-action Tom Hanks movie opened #1 at the box office.

Sully, the Clint Eastwood-directed biography of Capt. Chelsey “Sully” Sullenberger, played on screen by Hanks, not only reclaimed that throne but also nearly broke September box office records.

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CORE STORY: Every new release ignored over Labour Day weekend

Photo: Screen Gems

Photo: Screen Gems

Chris Luckett

Only two movies opened in wide release on Friday — sci-fi thriller Morgan and tearjerker The Light Between Oceans — but neither was able to even crack the top 5 at the box office over the long weekend.

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REVIEW: Suicide Squad

Photo: Warner Bros.

Photo: Warner Bros.

Chris Luckett

(Note: The overall plot of Suicide Squad is not spoiled here. When I discuss the story’s setup, it may sound like I’m giving away a lot, but that’s just because the entire movie has so much going on, even just sticking to the first act reads like I’m spoiling the entire plot. You can trust in me: I’m not.)

Warner Bros. continues their emulation of the Marvel Cinematic Universe (while refusing to admit that’s what they’re doing) with Suicide Squad. It’s likely the last blockbuster of the summer — as well as the studio’s desperate hope of cleansing the palettes of audiences that felt burned by March’s pedestrian Batman v. Superman: Dawn of Justice.

What should have been a carefree offshoot of the main DC Extended Universe saga now comes with the added expectations of redeeming the franchise, an unfair burden the movie understandably can’t really handle. As a late summer piece of brainless entertainment, you could do a lot worse. As a superhero movie — even just compared to other 2016 fare, for that matter — you could do a lot better.

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