Image: Warner Bros.
You know how once a plane’s going fast enough, it naturally wants to lift off the ground? Tomb Raider is a plane that’s constantly trying to take off, but no matter how fast it keeps speeding, director Roar Uthaug is intent on grounding it.
Continue reading →
Photo: The Weinstein Company
The ‘90s birthed the careers of a generation of immensely skilled directors. And for whatever reason, when it’s come time for them to make their eighth or ninth movies, each director has repackaged earlier movies of theirs into new originals. Moreover, each of these “victory lap” movies usually have been amazing works of art in their own right, despite covering established territory.
Take David Fincher’s The Social Network. Or Wes Anderson’s The Grand Budapest Hotel. Even Christopher Nolan’s The Dark Knight Rises was an incredibly strong film on Nolan’s CV, despite being his third Batman movie. The Hateful Eight is the ninth movie directed by Quentin Tarantino (or eighth, if you count the Kill Bills as one film, like Tarantino does) and it’s a wonderful mash-up of earlier works that holds its own against its brethren. Continue reading →